February 24, 2014

Francesca Pastine.

ArtForum Excavation Series, 2012.

Unsolicited Collaboration with Frank Stella.
Artforum magazine, wood, screw, matte board,plexiglas.

October 23, 2013

Johanna Arenas. Tracing Paper.

August 27, 2013

artchipel:

Wade Kavanaugh and Stephen B. Nguyen (USA) - 473 Inches at 60 Frames/Second. Paper and wood, 20 x 25 x 14 (2009)

Wade Kavanaugh and Stephen B. Nguyen, both based in Brooklyn, NY have collaborated since 2005. They continue making work together because their collaborative process has given them a platform to articulate the collective processing of what they see and to continually re-question visual foundations such as memory, perception and imagination. The process of questioning at the root of their collaboration has encouraged experimentation and play that might otherwise not exist in their individual artistic practices.

[more Wade Kavanaugh and Stephen B. Nguyen | artist found at darksilenceinsuburbia]

September 6, 2012
artchipel:

Cara Barer - Rapunzel. 36” x 36” (2009)

artchipel:

Cara Barer - Rapunzel. 36” x 36” (2009)

(Source: artchipel)

August 18, 2012

Matthew Shlian. Extraction Series.

http://www.mattshlian.com/

August 4, 2012
Li Hongbo. Wooden Cube 1, 2012. Paper, 20 x 87 x 20 cm.

Li Hongbo. Wooden Cube 1, 2012. Paper, 20 x 87 x 20 cm.

July 21, 2012

Mathilde Roussel. Mues. Paper, glue, 40 x 27 in.

Photos © Matthieu Raffard.

Exhibited at the 56ème Salon de Montrouge 2011, France.

We imperceptibly change everyday as if we were changing skin. The Mues sculptures make visible this metamorphosis through imprints of a body at the specific time. They are clothing of empty skin that we fold and keep to put on a new one. This skin becomes the trace of the time passing and the memory of an anterior life. (Mathilde Roussel)

July 20, 2012
Jeffrey Nishinaka.


http://jeffnishinaka.com/

Jeffrey Nishinaka.

http://jeffnishinaka.com/

July 9, 2012

Mary Burton Durell.

Mary Burton Durell creates worlds. Genuinely. She uses sheets of translucent paper to create tiny compartments, individual cells that she molds into these vast growths of bulbuous coral – organic structures that seem simple, poetic even despite their complexity. (by )

June 23, 2012

Peter Gentenaar. Paper Sculptures in the Church of Saint Riquier, France.

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