May 17, 2013
actegratuit:

Claude Lévêque, We Are Happy, 1997, red neon

actegratuit:

Claude LévêqueWe Are Happy, 1997, red neon

May 13, 2013
artslant:

Liu Bolin ‘Part 2 The Crawling Man’ at Magda Danysz Gallery http://www.artslant.com/cn/events/show/274928-part-2-the-crawling-man

artslant:

Liu Bolin ‘Part 2 The Crawling Man’ at Magda Danysz Gallery http://www.artslant.com/cn/events/show/274928-part-2-the-crawling-man

May 11, 2013

actegratuit:

Alessandro (Statues also die)

Dmitri Obergfell

May 10, 2013

David Ogle

Website

May 6, 2013
la-journee:

Jean Tinguely - Homage to New York, 1960.
“Jean Tinguely was asked in 1960 to produce a work to be performed in the Sculpture Garden of the Museum of Modern Art in New York. In collaboration with other artists/engineers, among them Billy Klüver and Robert Rauschenberg, he produced a self-destroying mechanism that performed for 27 minutes during a public performance for invited guests. In the end, the public browsed the remnants of the machine for souvenirs to take home. This hommage to the energy of a city that keeps rebuilding itself time after time is a wonderful example of the different and sometimes conflicting conceptions of artists and engineers on how machines should work–and as such an early collaborative effort that foreshadowed the events staged by E.A.T.—as well as a document on the 60s with the rise of happening and performance.”

la-journee:

Jean Tinguely - Homage to New York, 1960.

“Jean Tinguely was asked in 1960 to produce a work to be performed in the Sculpture Garden of the Museum of Modern Art in New York. In collaboration with other artists/engineers, among them Billy Klüver and Robert Rauschenberg, he produced a self-destroying mechanism that performed for 27 minutes during a public performance for invited guests. In the end, the public browsed the remnants of the machine for souvenirs to take home. This hommage to the energy of a city that keeps rebuilding itself time after time is a wonderful example of the different and sometimes conflicting conceptions of artists and engineers on how machines should work–and as such an early collaborative effort that foreshadowed the events staged by E.A.T.—as well as a document on the 60s with the rise of happening and performance.”

(Source: cartellogiallo.blogspot.com.au, via patrickmendesreblog)

May 5, 2013
Katie Lewis. 
 
 
and here

Katie Lewis

 

 

and here

May 3, 2013
artslant:

Joan Jonas, Views of the exhibition Reanimation, 2013, Video installation; Courtesy of the artist and Galerie Yvon Lambert, Paris / Photo: Rebecca Fanuele.
This is a good show, with two good pieces by very good, well-respected artists. It’s in a gallery but you can’t have everything.

artslant:

Joan Jonas, Views of the exhibition Reanimation, 2013, Video installation; Courtesy of the artist and Galerie Yvon Lambert, Paris / Photo: Rebecca Fanuele.


This is a good show, with two good pieces by very good, well-respected artists. It’s in a gallery but you can’t have everything.

May 3, 2013
Ken Unsworth. Suspended stone circle, 1978-1981.
 
 
Art Gallery NSW

Ken UnsworthSuspended stone circle, 1978-1981.

 

 

Art Gallery NSW

May 2, 2013

Gilles Barbier. The Drunkard.

 

 

and here

April 29, 2013

Via Grafik. Sooner or Later It All Falls Down.

Website