Embroidery on canvas by Ana Teresa Barboza.
Hommage to Vincent-Starry night, 2011
Artwork on ‘MCM - the golden jean jacket’
Hilos de algodón, lino, lana y metálicos sobre estructura en bamboo y vidrio.
Love at First Sight, 2013. Hand embroidery on found photograph.
The Favorite Child, 2013.
Landscape with Mountain, 2013.
Bubble Hill, 2013.
Girl in a Pearl Necklace, 2013.
Mona Hatoum: Twelve Windows
*Unfortunately I haven’t been able to find any english coverage of the exhibition she is showing this work in, and so I’ve had to rely on google translations of several german texts. Consequently i’ve had to rely on some heavy grammar and content edits by myself. If anyone can translate the original exhibition text and press release into english or arabic, please do so!I
Strewn across wire hangers, twelve-square-foot embroideries intersect and zigzag across the exhibition space. .
Each ‘window’ , its motifs, stitches and patterns, represent a central region of Palestine: Upper and Lower Galilee, Jaffa, Ramallah, Bethlehem and Jerusalem, Hebron, the coastal strip of Gaza and Central Gaza and Beersheba in southern Palestine. Following a tradition from mother to daughter for centuries is passed, each panel provides an insight into the heritage of Palestinian art embroidery, one of the enduring and tangible aspects of Palestinian culture.
Each panel was been carefully planned by Malak Abdul Rahim and highlights decades of research of Palestinian handicrafts, embroidered by the finest embroiderers of Inaash. Mona Hatoum carried out this work work in collaboration with the Lebanese initiative Inaash (Association for the Development of Palestinian Camps), a non-governmental organization that provides Palestinian women in Lebanese refugee camps an opportunity to practice their traditional embroidery techniques, and safeguard the art-practice and cultural memory they exercise. Each region of Palestine developed distinct patterns, passed on from mother to daughter, for centuries. "Twelve Windows" stands in remembrance of these distinct cultural identities, and their relationships.
However, Hatoum has folded in staggered, and bisecting wires that hold each embroidery piece via cloths pins. To view each piece the viewer must navigate both the visual and physical obstacles each panel provides. In chorus with the rest of the exhibition, allusions to threatening schisms and rifts are made…
Hand-stitched embroidery with photography
You Can Also Find Me -:
Deborah Simon. Flayed Bears.
Ursus maritimus, polymer clay, faux fur, linen, embroidery floss, acrylic paint, glass, wire and foam, 22”H x 25”D x 19”W, 2012. Photo by Dan Wonderly.
Diane Meyer. Berlin.
Former Guard Tower off Puschkinallee, 2013. Hand sewn archival ink jet print.
Mauer Park, 2012. Hand sewn archival ink jet print.
Bernauer Strasse, 2012. Hand sewn archival ink jet print.
Erna-Berger Strasse, 2013. Hand sewn archival ink jet print.
Spree Park, Former DDR Amusement Park, 2013. Hand sewn archival ink jet print.
Hairy Tale, 2011. MIxed media with embroidery on canvas, 79 x 118”.
Birds II, 2011. Mixed media with embroidery on canvas 55 x 63”.
The Deer Hunter, 2011. Mixed media with embroidery on canvas, 55 x 63”.