May 19, 2013

republicx:

Abstract landscapes by Brad Moore

May 18, 2013

actegratuit:

Shannon Finley

May 18, 2013
Cecily Brown. 
 
 
Via

Cecily Brown

 

 

Via

May 17, 2013
Marc Spanjers, 2006
“Chair without a king”
Acrylic on canvas
Private collection Antwerp

Marc Spanjers, 2006

“Chair without a king”

Acrylic on canvas

Private collection Antwerp

May 16, 2013

Rankle & Reynolds.

Invaded Territories. Oil and acrylic on canvas, 500 x 500 mm.

Imperceptable Signs. Oil and acrylic on canvas, 910 x 910 mm.

May 16, 2013
Yago Hortal. ST, 2007. Acrylic on canvas, 150 x 150 cm.


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Galeria Senda

Via Art From Suburbia

Yago Hortal. ST, 2007. Acrylic on canvas, 150 x 150 cm.

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Facebook

Galeria Senda

Via Art From Suburbia

May 12, 2013

Ky Anderson

Protected, 2013. Acrylic on canvas, 72 x 48”.

Producing Thin, 2013. Acrylic on panel, 18 x 16”.

Via

May 12, 2013

shinyslingback:

London-based painter Clare Chapman produces work that finds beguiling beauty in the dark and disturbing. Some of her subjects resemble the pus-filled pods or cocoons from which aliens and other horror film staples burst forth, others are more abstract, uncertain outlines in fleshy colours that unnerve without us quite knowing why. The ever-brilliant Brighten The Corners have just redesigned Clare’s website and by keeping the navigation nicely simple they have done a tremendous job at letting us viewers chart and enjoy Clare’s evolution as an artist over the past few years.

http://www.itsnicethat.com/articles/brighten-the-corners-clare-chapman

http://clarechapman.com/

May 8, 2013

actegratuit:

Frank Dale,

varnish on canvas

2:55pm  |   URL: http://tmblr.co/Z8bgTykWFDsj
  
Filed under: Frank Dale Art abstract 
May 7, 2013

artchipel:

Mark Chadwick (UK) - Abstract Fluid Painting. Acrylic on canvas

The British artist Mark Chadwick’s art practice is concerned by the use of machines in the production of an artwork. With our culture becoming more and more engaged with new technologies, Mark’s work questions the implications of handing over control of an artwork to a mechanical device. Through experimentation with using a number of crude technological devices and minimising his interaction with the decision making process. Mark’s work investigates the status of the artist and what the artwork actually is. With the actions of any machine the result of human intention, Mark uses machines to allow chance to enter the creative process, exploring ideas surrounding authorship, consciousness and interaction. 

[more Mark Chadwick | found at darksilenceinsuburbia & The Lloyd Gill Gallery]